Creativity and Innovation in the Music Industry
Buku ini diterbitkan Tahun 2006 oleh Springer, Netherlands, merupakan buku edisi Pertama.
Judul: Creativity and Innovation in the Music Industry
Oleh: Peter Tschmuck
Penerbit: Springer, Netherlands.
Tahun: 2006
Jumlah Halaman: 291 hal.
Editor:
Peter Tschmuck
Institute of Culture Management and Culture Science,
University of Music and Performing Arts Vienna, Austria
Lingkup Pembahasan:
Buku ini mendukung bahwa bekerja "kreatif" atau "inovatif" untuk melakukan analisis yang tepat. Namun demikian, buku berupaya, menjawab pertanyaan tentang bagaimana hal-hal baru yang dibuat dalam industri musik.
Pembentukan model penjelasan untuk kreativitas dan inovasi dalam industri musik (Bab 11) didasarkan pada pendekatan analitis interaktif (lihat Hasitschka 1997: 35-41) yang menggabungkan tingkat nilai produksi industry musik (musik sebagai simbol budaya) dengan tingkat praktek (agen dalam musik industri dan interaksi mereka). Hasilnya adalah model tindakan mode kreativitas dan inovasi sebagai bagian dari proses interaktif yang mempertimbangkan sosial, ekonomi, teknologi, hukum, dan aspek lainnya. Oleh karena itu, wawasan dari disiplin ekonomi (seperti teori inovasi) berkontribusi banyak untuk model seperti yang diperoleh dari seni dan ilmu pengetahuan atau sosiologi. Sehingga saya menawarkan sebuah studi yang mungkin juga sangat menjadi salah satu yang pertama untuk contoh aplikasi penelitian prinsip-prinsip penelitian lembaga budaya yang diperpanjang.
Daftar Isi:
Preface ix
Acknowledgements xi
Introduction xiii
1. Aim and Structure of the Book xiii
2. Implications of Culture Institutions Studies xvi
Chapter 1: The Emergence of the Phonographic Industry Within the Music Industry 1
1. The Phonograph as Business Machine 1
2. “Coin-in-the-Slot:”-Machine 6
3. Records and Gramophones 9
4. “Herr Doctor Brahms Plays the Piano” 15
Chapter 2: The Music Industry Boom until 1920 19
1. The Global Competition in the Phonographic Industry 19
2. The U.S. Market before World War I 24
3. The European Market during World War I 27
4. The Music Repertory on Record between 1900 and 1920 28
Chapter 3: New Technology and the Emergence of Jazz 41
1. The Phonographic Industry’s Business Cycle from 1920 to 1945 41
2. The Phonographic Industry and Broadcasting in the U.S. and Europe 44
3. “Race Music” and “Hillbilly” 51
4. Electrical Recording 55
Chapter 4: The Music Industry as Radio Industry 61
1. Recession and Depression on the U.S. Phonogram Market 61
2. Market Concentration in Europe 63
3. The Dominance of Broadcasting and Sound Films in the U.S. Music Industry 69
4. Music as an Instrument of Ideology in Europe 70
Chapter 5: The Swing Monopoly during the Years of Wartime Economy 77
1. The Music Industry during World War II 77
2. The Swing Monopoly 81
3. Music as Propaganda 84
4. The Intellectualization of Jazz: Bebop 87
Chapter 6: Rock ‘n’ Roll Revolution 91
1. Economic Recovery and Technological Innovation 91
2. The End of the U.S. Music Oligopoly 94
3. From Rhythm & Blues to Rock ‘n’ Roll 101
4. Music Production in Post-war Europe 109
Chapter 7: The Recovery of the Phonographic Industry and New Global Players 115
1. A Decade of Market Growth (1960-1969) 115
2. European Majors on the Advance 117
3. The Recovery of the U.S. Majors under New Leadership 120
4. The Produced Sound 123
Chapter 8: The Era of Music Conglomerates 133
1. The First Merger Mania in the Recording Industry (1965-1975) 133
2. Oligopolization in the Recording Industry 135
3. Market Domination by Market Segmentation 136
4. The Commercialization of Sub-cultures: Heavy Metal, Punk Rock, and Disco 141
Chapter 9: The Digital Revolution and the Internet 149
1. From Music Cassette to Compact Disc 149
2. Superstar Business versus Hip-Hop Culture? 154
3. The Second Merger Mania in the Recording Industry 160
4. Music Providers on the Internet 169
Chapter 10: Theoretical Concepts of Innovation and Creativity 179
1. Typologies of Innovations 179
2. Innovation as a Collective Action Process 183
3. Typologies of Creativity 193
4. Creativity as a Collective Action Process 195
Chapter 11: Creativity and Innovation in the Music Industry 205
1. Revolutions in the 20th Century Music Industry 205
2. Cultural Paradigms and Creative Trajectories in the Music Industry 213
3. An Explanation for the Change of Paradigms in the Music Industry 218
4. Diversity as a Pre-Condition for Creativity and Innovation 223
Chapter 12: Creativity and Innovation in the Music Industry’s Value-added Chain 231
1. The Search for New Talents: A&R Management 231
2. The Process of Music Production 237
3. Marketing and Promotion 243
4. The Distribution Process 246
Appendix 251
References 255
Index 263
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